This very essence of a man, his soul, which the artist puts into his work and which is represented by it, is found again in the work by the enjoyer, just as the believer finds his soul in religion or in God, with whom he feels himself to be one. It is on this identity of the spiritual, which underlies the concept of collective religion, and not on a psychological identification with the artist, that the pleasurable effect of the work of art ultimately depends, and the effect is, in this sense, one of deliverance....But both [artist and enjoyer], in the simultaneous dissolution of their individuality in a greater whole, enjoy, as a high pleasure, the personal enrichment of that individuality through this feeling of oneness. They have yielded up their mortal ego for a moment, fearlessly and even joyfully, to receive it back in the next, the richer for this universal feeling.
